Wednesday, September 4, 2013

Art Bergmann - Best Canadian Songs of All Time No. 2



This series of posts will be offering the definitive list of the best Canuck tunes ever recorded, scientifically tabulated, collated and obfuscated by the Brain of Scruff, in absolutely-not numerical order.

Art Bergmann walked slowly into the record store where I was toiling, his eyes focused on something no one else could see. He trailed behind the record company man as my friend and I, Bergmann fans both, looked at each other with our faces lit up like little kids on Christmas morn.

We followed them to the office in the back, where Art sat down, crossed one leg over the other, and fished in his pocket. He produced the world's most raggedy cigarette, crumpled and torn and exceptionally sad-looking. Our boss offered him a less violated smoke, but he just replied, "No thanks." My record store pal proceeded to tell him how we played the album in the store every day, to which Art scowled, rolled his eyes and grumbled, "Yeah, but did you sell any?"

Notwithstanding Art's cantankerous nature, he was a songwriting force to be reckoned with. I hope one day someone gets together a tribute album with others covering his tunes. It's probably the only way he will ever get recognition for his body of work.

The following song originally appeared on Sexual Roulette (1990), but this version is taken from Design Flaw (1998). Design Flaw is a testament to the man's songcraft, with Bergmann's spare vocals and guitars adorned with nothing but tasteful Chris Spedding six-string accents.



Photo at top of post by photographer Alex Waterhouse-Hayward.

Tuesday, September 3, 2013

AA Sound System - Best Canadian Songs of All Time No. 1



This series of posts will be offering the definitive list of the best Canuck tunes ever recorded, scientifically tabulated, collated and obfuscated by the Brain of Scruff, in absolutely-not numerical order.

In 2006, Edmonton's AA Sound System released a quietly brilliant album called Laissez-Faire, produced by Danny Michel. When I received it, I listened to it every day for about 6 months - I think the tracking on this record is perfect, starting out with the mellow tones of I Don't Get You At All and building up to the noisy guitar rush of Raw Joy. But I still keep coming back to I Don't Get You At All. It's a measured song, no rush, replete with a Canadian prairie drawl, an incongruous stars-on-45 beat, and subtly fine lyrical touches. I's a grower, listen, and then listen again. That's what I did.


 AA Sound System - I Don't Get You At All

More New Pixies! 4 Tracks on Wax


Hot on the heels of BagBoy, Pixies have released a 4-song EP. 10-inch vinyl, limited edition t-shirt, lossless audio download, pick your package (purchase here). Does it sound like old-school Pixies? Not so much the first two records, but it sounds like it could have been a progression from the last two. What Goes Boom sounds the most like the roaring Pixies most people want, while the first track, Andro Queen, sounds least Pixiesish. What do you think?

Tracklisting - Andro Queen - Another Toe In The Ocean - Indie Cindy - What Goes Boom



UPDATE: Pixies also released a video today for Indie Cindy, which is mostly backwards like me.


Don't forget the previously-released Bagboy single.


Check out some isolated Pixies vocals:

Debaser Isolated vocals


H>ey Isolated vocals